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Immersive Experiences put audiences in the center of an exciting journey. They do not only watch a story unfold, they actually get to discover and explore it themselves.
Immersive Experiences put audiences in the center of an exciting journey. They do not only watch a story unfold, they actually get to discover and explore it themselves.
The immersive approach addresses two basic human needs: the desire for participation and the joy of play. People want to have an influence on their surroundings. By taking an active role, they are enabled to have a much stronger experience within the event. However, there is more to an immersive event than just guiding audiences through interactive video-installations or handing out VR glasses. Immersive events require tailored concepts combining sensual experiences, intuitive incentives of play, and attractive offers of participation. These concepts will turn one-time audiences into lifelong fans.
To achieve this goal, we extend traditional storytelling to include new forms of audience participation as well as tracking and analysis tools. They allow a more detailed understanding of what exactly immerses the audiences – and to what extent. For us, as a production company, this knowledge changed our approach to new concepts completely. Using these tools, we set out on a journey towards our goal to create deeper and more valuable connections between audiences and events, which we now like to call experiences themselves.
The first stop on this journey was a true game-changer: a premium immersive experience, produced in three consecutive years – first in
We transformed exceptional locations into interactive playgrounds, which seduced the participants with hidden chambers, surprising performances, disguised performers and close encounters with innovative show giants. In doing so, we partnered with artists like the Icelandic band GusGus, Russian pioneer of video-arts Sila Sveta, British food scientists Bompas & Parr, and the legendary theatre performance group Les Enfants Terribles.
Despite these big names, they weren’t the headliners. The focus was always on the guests. They were able to try things out, to co-create or to simply enjoy the experience. The show acts became rewards that the participants earned together.
Our learnings from these three years and other immersive concepts allowed us to develop and refine effective tools. This journey led to three special experiences leaving the realms of conventional entertainment and changing our own approach forever.
The next part of this series of blog posts will focus on the most important skills and tools for a successful immersive experience.
This text is the translated extract of an essay from the study BEYOND REALITIES, published by
We would like to thank Phocus Brand Context and Frank Sonder for trusting in our expertise.
Our learnings result in a set of important tools, which we will address in part 2 of our series. To us, they are the cornerstone of a successful Immersive Experience.
In this final instalment of our Immersive series, we will focus on the potential of augmented and virtual reality to fully engage audiences with all their senses.
Working with a major international brand and long-time collaborators DREINULL, Battle Royal Studios orchestrated an unforgettable immersive experience for 2000 guests at the Kraftwerk Berlin, full of twists, turns and treats for the senses.
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Battle Royal GmbH
Glogauer Strasse 17
10999 Berlin
Germany
With representation in
London • Dubai • Riyadh • Sydney